Introduction
Part three of the Artists in Residence series features the candid and dynamic art duo, Heringa/Van Kalsbeek—Liet Heringa and Maarten van Kalsbeek. Their sculptural works explore nature, culture, decay, and transformation, creating a striking balance between chaos and beauty. The duo’s pieces have been exhibited at Beatrixpark in Amsterdam, the Kröller-Müller Museum, and in their solo exhibition Springvloed at the Kunstmuseum Den Haag (until 18 February 2024). They also installed an artwork at Hermès’ flagship store in Amsterdam.
Collaboration and Creative Energy
“We see our sculptures as having a front stage and a backstage, each with its own kind of beauty—even the imperfections. Once, a visitor said, ‘It looks like a party that got out of hand!’ and that felt so right. When we get that vibe from our work, we know we’re onto something.”
Partners in both art and life for 37 years, Liet and Maarten collaborate under the name Heringa/Van Kalsbeek. Their process is personal, with each project beginning through careful planning, followed by splitting tasks, and then coming together in the studio to channel their dynamic energy into the work.
“Our collaboration is personal. We plan some things, split up tasks, then come together in the studio. That dynamic energy feeds the art. We’ll try everything—ceramics, textiles, metalwork—always seeking fresh expressions. We enjoy reinterpreting traditional crafts such as ceramics.”


A Process of Experimentation
“We spend months experimenting, like scientists. Mistakes and setbacks are part of the process. We don’t always agree, but that friction sparks creativity. Each piece needs its own small battle. When it works, it’s playful yet professional. Momentum is key.”
The duo’s interest in materials is boundless, and they push the boundaries of what they can create from unexpected sources. They are particularly inspired by the natural world and how decay leads to new beginnings.
“Stones—like Japanese Suiseki—fascinate us for their natural forms. We’re intrigued by how nature and culture converge, how decay leads to something new. Cut flowers wilting in a vase show this duality—beautiful yet fleeting. Van Gogh painted both vitality and decay. We see decay as a new beginning, an ongoing cycle, much like 17th-century Dutch still lifes.”
Follow Heringa/Van Kalsbeek
- Instagram: instagram.com/heringavankalsbeek
- Website: www.heringavankalsbeek.nl
Photography: Valérie van der Wal
Text and Production: Im Fong Liu
Originally published in Dutch in ModMod #04